kellysue: chiloconcarne: shadowise: A Lonely God - a series of slightly sad superhero posters. Source I’m in love with this I was just talking to an artist yesterday about the tendency to crop things really close and tight in order to enhance drama.  If it’s overdone — which happens frequently with artists—you start to feel like you’re watching a movie through a hole in a sheet.   Pull the camera out.  Be brave enough to let the reader orient.  Occasionally, in the right moment, pull the camera way, way out even. How does that effect the emotional beat? 
Zoom Info
kellysue: chiloconcarne: shadowise: A Lonely God - a series of slightly sad superhero posters. Source I’m in love with this I was just talking to an artist yesterday about the tendency to crop things really close and tight in order to enhance drama.  If it’s overdone — which happens frequently with artists—you start to feel like you’re watching a movie through a hole in a sheet.   Pull the camera out.  Be brave enough to let the reader orient.  Occasionally, in the right moment, pull the camera way, way out even. How does that effect the emotional beat? 
Zoom Info
kellysue: chiloconcarne: shadowise: A Lonely God - a series of slightly sad superhero posters. Source I’m in love with this I was just talking to an artist yesterday about the tendency to crop things really close and tight in order to enhance drama.  If it’s overdone — which happens frequently with artists—you start to feel like you’re watching a movie through a hole in a sheet.   Pull the camera out.  Be brave enough to let the reader orient.  Occasionally, in the right moment, pull the camera way, way out even. How does that effect the emotional beat? 
Zoom Info
kellysue: chiloconcarne: shadowise: A Lonely God - a series of slightly sad superhero posters. Source I’m in love with this I was just talking to an artist yesterday about the tendency to crop things really close and tight in order to enhance drama.  If it’s overdone — which happens frequently with artists—you start to feel like you’re watching a movie through a hole in a sheet.   Pull the camera out.  Be brave enough to let the reader orient.  Occasionally, in the right moment, pull the camera way, way out even. How does that effect the emotional beat? 
Zoom Info
kellysue: chiloconcarne: shadowise: A Lonely God - a series of slightly sad superhero posters. Source I’m in love with this I was just talking to an artist yesterday about the tendency to crop things really close and tight in order to enhance drama.  If it’s overdone — which happens frequently with artists—you start to feel like you’re watching a movie through a hole in a sheet.   Pull the camera out.  Be brave enough to let the reader orient.  Occasionally, in the right moment, pull the camera way, way out even. How does that effect the emotional beat? 
Zoom Info

kellysue:

chiloconcarne:

shadowise:

A Lonely God - a series of slightly sad superhero posters.

Source

I’m in love with this

I was just talking to an artist yesterday about the tendency to crop things really close and tight in order to enhance drama.  If it’s overdone — which happens frequently with artists—you start to feel like you’re watching a movie through a hole in a sheet.  

Pull the camera out.  Be brave enough to let the reader orient. 

Occasionally, in the right moment, pull the camera way, way out even. How does that effect the emotional beat? 

(via wilwheaton)

Source: shadowise

Feminist Frequency: Twitter vs Female Protagonists in Video Games

femfreq:

Above is a tweet I made this afternoon in reaction to the fact that none of the games presented at…